Ricardo, an amusing grumpy middle-aged man, decides to travel overland to India, as he used to do, shipping hippies in the sixties. Only now he has other things on his mind. He has been in a wheelchair for 10 years, suffering from a degenerative disease, that's pushing into its final stages. This is to be his last journey. Accompanied by his housekeeper Dana he sets off, crossing Europe, through Turkey, Iran, Pakistan. It turns out to be a funny and inspiring journey, opening doors both Ricardo and Dana thought were closed forever. As the landscape widens ahead, all of the crucial things of life unfold before them. Most importantly, Ricardo finds a reason to live.

The mouth-watering entertainer features a bunch of women kidnapped by villains desperate to know the secret formula. And there's only one true Desi Chinese Superhero who can rescue them - RANVEER CHING!

The stars of Degrassi travel to rural communities in India coming face-to-face with poverty, child labour and families deprived of life's basic necessities, these young stars discover the true power of compassion.

Biopic of Dadasaheb Phalke, Father of Indian Cinema

The stars of Degrassi travel to rural communities in India coming face-to-face with poverty, child labour and families deprived of life's basic necessities, these young stars discover the true power of compassion.

Kadiyam Babji is an ageing man angry with the way society functions. He decides the best payback is to kidnap some high-profile people. But NIA officer Ira is hot on his heels.

Two in Clover is a British sitcom produced by Thames Television for two series from 1969 to 1970 on ITV. It starred Sid James and Victor Spinetti and was written by Vince Powell and Harry Driver, and produced and directed by Alan Tarrant. The first series was made in black and white and the second series was made in colour.Frustrated office workers Sid Turner and Vic Evans decide to leave behind their nine-to-five lifestyle for the simpler life of living in the countryside and running a farm.

During Viola's time in Japan he created Ancient of Days (1979-81). This film begins with the sound of cars and an image of fire. You view the fire and when it is extinguished a man nails something to the table which was in the fire. This section seems to be displayed backwards from the original firing. After the nailing a cup, clock and teapot appear. The shot then switches to a monument. Now the sounds of wind entertain your ears. Much time is spent viewing the monument. As in The Reflecting Pool, the shot is at the same viewpoint the whole time. You are left viewing different skies, background of pastel purple, pink and blue. White clouds increase as the film advances. As it progresses you see different groups of figures walking around to the monument in the distance. Then the shot goes to night and you are left with the view of a city and cars driving. Defiantly a unique angle atop of a building and moving till you are viewing it upside down. There is a great contrast of light sky and dark buildings. Then you are taken out of the city back to the country with a snow covered mountain and a kid squatting playing in a bush. There is a sound of something and the kid runs away. The color changes over the whole screen. That view of the mountain is now placed on the side of a building on a television in the city. The image changes to windsurfing. The shot moves into the crowd with the sound of someone singing. This all slows down, then stops and goes to a room inside with the view of a clock ticking, a picture on the wall and flowers. You hear people talking, someone sneezes and then the picture disappear and the shot fades.

During Viola's time in Japan he created Ancient of Days (1979-81). This film begins with the sound of cars and an image of fire. You view the fire and when it is extinguished a man nails something to the table which was in the fire. This section seems to be displayed backwards from the original firing. After the nailing a cup, clock and teapot appear. The shot then switches to a monument. Now the sounds of wind entertain your ears. Much time is spent viewing the monument. As in The Reflecting Pool, the shot is at the same viewpoint the whole time. You are left viewing different skies, background of pastel purple, pink and blue. White clouds increase as the film advances. As it progresses you see different groups of figures walking around to the monument in the distance. Then the shot goes to night and you are left with the view of a city and cars driving. Defiantly a unique angle atop of a building and moving till you are viewing it upside down. There is a great contrast of light sky and dark buildings. Then you are taken out of the city back to the country with a snow covered mountain and a kid squatting playing in a bush. There is a sound of something and the kid runs away. The color changes over the whole screen. That view of the mountain is now placed on the side of a building on a television in the city. The image changes to windsurfing. The shot moves into the crowd with the sound of someone singing. This all slows down, then stops and goes to a room inside with the view of a clock ticking, a picture on the wall and flowers. You hear people talking, someone sneezes and then the picture disappear and the shot fades.

Bharat Ek Khoj is a 53-episode Indian historical drama based on the book The Discovery of India by Jawaharlal Nehru, that dramatically unfolds the 5000 year history of India from its beginnings to the coming of independence in 1947. The drama was directed, written and produced by Shyam Benegal with cinematographer V. K. Murthy in 1988 for state-owned Doordarshan. Benegal's regular script collaborator Shama Zaidi also co-wrote the script.